Babby's first CSS meets the reality of not being able to use calc() to derive margin size between top bar and content from vw & vh and having to learn @media instead. Truly a gripping epic for the ages, if by "ages" we mean predominantly 25-45.
It's not near so harsh as this description would lead you to believe.
Projects
Articles that involve the creation of items boasting questionable utility value.
Photographer's friend: Hey man, any chance we can see those pictures you took?
Photographer: Maybe soon, I just need to finish editing them.
The Editing: Psst, wanna spend several hours making a single image?
Artist: First Fragment Album: Dasein Year: 2016 Genre: Neoclassical Technical Death Metal Label: Unique Leader Records
Recording Lineup: Vincent Savary: Bass David Alexandre Brault-Pilon: Vocals Troy Fullerton: Drums Phil Tougas: Guitar Gabriel Brault-Pilon: Guitar
Instrumental generated by Benjamin Carper
Lyrics
D'un gouffre inassouvissable, son panthéon La facette de sa quête, son opposition Du haut de son morbide trône d'extravagance Exploitant et fusionnant la véhémence Incommensurable appétit Indomptable être dépéri Ancré dans la prédation Emporté dans la dépravation Du haut de sa vanité À la vitesse de sa montée Il sombra dans la cupidité
Survolant les acres d'obsolescence Hantant les seuils d'innocence Puisant l'âme dans l'affaiblissement, traîné par les extirpeurs Physiquement traité devant l'immonde, l'exhumation dite en torpeur
Inculqué à la quête du festin propice À l'assaut des chemins, propulsé au fond du précipice Enfermé dans l'insanité j'en fus enclin à basculer Déchiqueté et éparpillé, j'en fus reconstitué
L'hypotésance de l'âme
L'inassouvissable soif du manque, le perforant L'inertie innondante l'infinitésimalité de sa masse hideuse Catalysant l'infection de sa faim La faisant grandir de jour en jour Gloutonnerie étant devenue monnaie courante Gloutonnerie étant devenue fontaine de jouvence Gula s'appropria l'arborescence de cette existence
Implorant sa mort par l'ingérence de son confort Il en démontra que l'excentricité de sa panse Combattant le feu par le feu Son impitoyable règne, je le pourfendrai Sa gargantuesque injustice, je la détruirai
D'un gouffre, inassouvissable Atteingnant la cime qu'en extirpant l'insaisissable Dans les panthéons de la possession S'en gavant de l'opposition Du haut de son morbide trône d'extravagance Fusionnant et exploitant la véhémence Incommensurable appétit Indomptable être dépérit Ancré dans la prédation Emporté dans la dépravation Du haut de sa vanité À la vitesse de sa montée, il sombrera dans la cupidité
Audio+waveform examples of (mostly) the note C2, as performed by one person, with no effects.
Music
Original Composition: After
Info
Composition date: 2019_06_22
A short piece for piano. The main motif (measure 13, etc) is based on an earlier song I wrote, which I had called "Afternoon Rain." I decided I liked this part, but wanted something different around it, and when I rewrote the song, this is what remained "After." That's where the name of the piece originated.
I was initially inspired to rewrite the piece to teach someone how to read sheet music. At the church that my parents used to go to, there was a young guy (around 14, at the time, I think?) named Christian. He had taught himself to play piano quite well, but couldn't read music. I put this together, and included plenty of symbols. In less than 30 minutes of teaching, he was reading pretty well. Incidentally, he's probably the only person who learned about the double short fermata before seeing key signatures. Hmm...
Sheet Music
Original Composition: Entropy Reversal Procedure
Info
Composition date: 2018_08_11
A piece for piano. There's no particular story to this one, it's just something I wrote one day. I still write music by putting accidentals every measure instead of just defining a key, I suppose I read it faster that way.
I'll probably eternally find the last note of this song amusing. It's intentionally out of key.
